Crash Test Dummies
f.
1989
 

When songwriter Brad Roberts (vocals, guitar) graduated from the University of Winnipeg, Canada, with an honours degree in English literature. he was still a dedicated student, planning to taje a Ph.D. and become a professor. His chronic asthma and penchant for the lyrics of XTC's Andy Partridge did little to dispel his
'college geek' image. However, when the band he had started with friends in the mid-80s took off, his academic interests had to be suspended. Building an impromptu get-togethers as a group formed at an after-hours club in Winnipeg, the name Crash Test Dummies was eventually selected. When record company executives heard some of Robert's demo tapes (which he had been using to try to secure the band festival gigs), the interest encouraged him to concentrate more fully on music. The band comprised Roberts, his younger brother Dan (bass), Benjamin Darvill (mandolin, harmonica, additional guitars) and Ellen Reid (piano, accordion, backing vocals). Their debut, The Ghosts that Haunt Me, rose to number one on the Canadian chart on the back of the hit single "Superman's Song". A blend of blues-based rock 'n' roll and folk pop, its best moments occured when Brad Roberts's strange vocal amalgam of Scott Walkerand Tom Waits combined with Darvill's harmonica. However, despite selling over a quarter of a million copies domestically, the rest of North America remained uninterested. The situation was radically amended with the release of God Shuffled His Feet, which introduced drummer Mitch Dorge and was co-produced by Talking Heads' Jerry Harrison. Their breakthrough arrived with another distinctive single, "MMM MMM MMM MMM", with its stuttering title as the song's chorus. A catchy, radio-friendly  novelty song,it was only partly representative of the band's more astute and perky pop compositions. Nevertheless, it rose to number 12 on the Billboard chart in March 1994.  God Shuffled His Feet was a strong album, although occasionally its references to literature and school of philosophy, such as Dada, cubism and Sartre, overbalanced some of the songs. A Worm's Life contained more wonderful lyrics about God and life but the songs they accompanied were indifferent, and the momentum gained by the second album was lost when this album failed to sell.